That Drifting Excrement Was Way Too Meaningful! These Are the Television Letdowns of the Year.
Looking back, we consider the television landscape of the recent year, a handful of series emerge not for their brilliance, but for their notable shortcomings. From cringe-inducing spin-offs to bafflingly poor documentaries, here are the productions that left us utterly bewildered or just reaching for the remote.
The 'Sex and the City' Sequel
Where to begin with this love/hate follow-up? Plagued with dreadful scripts, painful arcs (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show struggled to justify its existence. For a moment, as the final season began, it seemed as if it had at last hit its stride. Then arrived an episode all about Seema’s natural deodorant. Little surprise the showrunner announced this would be the final season. It concluded on a low point; the closeup of Miranda’s loo full of poo was just way too symbolic. Still, viewers certainly had a hoot picking apart every single “wtf?” moment. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who didn’t release a small sob?
All’s Fair
‘Is Kim Kardashian an actress? Of course she can’t.’
But that was practically the least of this drama's problems. The subject of a exceedingly uncommon no-star review, it was difficult to know where to start enumerating the problems. The hilariously leaden dialogue? The tedious veneration of affluence and consumption? The seemingly deliberate procession of cliches? Acting so bad they felt almost spiteful? Suffice it to say “each and every one” and never speak of this series again. However, a second season has been ordered, so we’re likely going to have to.
AKA Charlie Sheen
Considering the restraining orders, abuse allegations and fatherly failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this three-part docuseries which smirked its way at Sheen’s various episodes of self-destructive hedonism while failing to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any sympathy this series might evoke should be reserved for the people who have had to endure close contact with this charismatic but dismissive narcissist.
The Supercomputer Drama
Naturally we understood it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of pure love for its stars … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.
MobLand
Shady figures convening in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.
In truth, that is harsh on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t endure the embarrassment of having to indulge unconvincing dialects. But there were plenty of other issues. Mainly that it was just profoundly dull; a dispute over drug-selling territory between various London picaresques which felt rather simplistic.
With Love, Meghan
Given the degree to which she provokes the ire of certain performatively enraged commentators, it’s temptingly easy to admire the Duchess of Sussex’s various ventures into quaint homemaking as deliberate statements. But then you view them and are forced to concede that actually, they may have a point. It’s like watching a homeware catalogue come to life; a poster for wine o’clock with ideas of grandeur; a procession of sleeping dogs, humming beehives, Hallmark platitudes and pointless crafting “tips” you’ll not remember instantly. All supported by immense, largely undeserved wealth. Ugh.
The Beckham Documentary
There are obviously fascinating things to be said about regarding Victoria Beckham and her struggles with vocation, identity, self-worth. But for whatever reason, this documentary series opted not to say them. Instead, the experience was akin to reading a marketing catalogue. She clearly has every right to bridle at what she describes as her “miserable cow” image. But sadly, she failed to do herself any favours with this guarded letdown of a series.
The Inheritance
It should have been the next big hit – except even camper, with a famous star playing dead and a well-known personality overseeing her inheritance. What more could you want? As players competed, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s even now too confusing to explain what exactly was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The show ended up smelling of a production that was straining desperately to live up to something way beyond it.
Too Much
How does one succeed a show that captured a generation? The pressure was enormous for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of celebrity friends involved felt uncomfortable.
Mitchell & Webb Are Not Helping
Not even good enough to be ‘patchy’.
Given the smart inclusion of talented younger comics, hopes were high. But unhappily, most of it didn’t land. A particular sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too willing to slip into a familiar ranting mode. The behind-the-scenes sketches, in contrast, simply provoked the idea that they should probably have stayed in there a while longer.
The Knox Dramatisation
This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be handled with care. Instead, the series struggled painfully to find the right tone, lumbering from strangely jaunty, slightly mannered farce to ultimately, real-life horror. Complex? Perhaps. A complete mess? Very much so.
The Maths Genius Thriller
We admire the lead actor … but did we believe him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a discovery that could destabilise society? No! This international thriller about secret services spying on – and eliminating – intellectuals frankly got more absurd by the second. Formulaic nonsense.
1000 Men and Me: The Bonnie Blue Story
This hagiography followed the content creator notorious for explicit escapades as she prepared for her most extreme feat yet. What on earth would motivate her? What we craved was way more interrogation of her true psychology, plus those of the men in the line. They could at least have interviewed the legendary mum who showed up to drag her son away from the queue. What we got was horrific shots and absolutely no interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.